シビック・クリエイティブ・ベース東京［CCBT］Phase 2―東京に社会実験を引き起こす

Tsugawa Eri completed graduate studies at Waseda University in 2015. From 2015 to 2018, she worked at an architecture firm. In 2018 and 2019, she worked at Diller Scofidio + Renfro in New York on a fellowship given by the Agency for Cultural Affairs. She returned to Japan to claim top prize at the Sannomiya Station Plaza Contest run by the city of Kobe in 2019, and established her own firm, ALTEMY. Tsugawa also teaches at Tokyo University of Science, Waseda University, Tokyo Denki University’s graduate school, and Japan Women’s University. Her past projects include the Spectra-Pass lobby at the Pola Museum of Art (2021), Sankita Square in front of Hankyu Kobe-sannomiya Station (2021), the exhibition Incomplete Niwa Archives (2021) at Yamaguchi Center for Arts and Media, and Machi-no-Hoikuen Community School Minami-Aoyama (2024). Her prizes include the Urban Landscape Award Special Prize given by the Ministry of Land, Infrastructure, Transport and Tourism, the Civil Engineering Design Prize (Excellence Prize), Tokyo University of the Arts Emerald Award, and Kukan Design Award.

• https://www.alt-emy.com

Nohara Kayoko is a professor at the School of Environment and Society, Tokyo University of Science (formerly Tokyo Institute of Technology), specializing in translation studies, linguistics, and science and technology communication. She holds an MA in modern history from Merton College, University of Oxford, and a PhD in translation studies from Queen’s College, Oxford. She is the director of STADHI, a joint project by the Institute of Science Tokyo and Central Saint Martins, University of the Arts London, and leads the industry-academia partnership program Hybrid Innovation: Creating the Future, tackling intersemiotic translation and integration of science, technology, art, and design. Nohara’s numerous publications include Translation Studies in Discussions: An Introduction to Translation Studies (2014, Sanseido)

MIYASAKA Manabu started his carrier at Yahoo Japan Corporation in 1997 before served as Yahoo Japan’s CEO in 2012, later to become the Chairman of the Board in 2018. After leaving the company, he was appointed Counsellor to the Tokyo Metropolitan Government in July 2019, became Vice Governor in September 2019 and was reappointed in September 2023, where he is promoting digitalisation of Tokyo Metropolitan Government as CIO.He leads the GovTech Tokyo, which has started its projects from September 2023, as the Representative Director. A believer in the power to accelerate progress of Tokyo to be the startup-friendliest city in the world, MIYASAKA directs SusHi Tech Tokyo, a global startup conference as the Executive Committee Chairman.

Born in Tokyo, Japan. Since 2007, he has been based in Linz, Austria, working as an artist. He is currently the Artistic Director of the Ars Electronica Futurelab, the R&D division of Ars Electronica, and the Artistic Director of the Sapporo International Art Festival 2027. He has been involved in numerous international and interdisciplinary projects, including innovative initiatives that use art as a catalyst for prototyping the future, as well as projects that aim to create communities through public participation and to implement next-generation cultural and educational programs. About Ars ElectronicaArs Electronica is a creative hub for art and advanced technology founded by the city of Linz, Austria, and has hosted the annual Ars Electronica Festival, the world’s largest media art festival, for over 40 years. It established the Ars Electronica Futurelab to research the future of art and technology in collaboration with companies, government, cultural, educational and research institutions. In addition, the group runs the Ars Electronica Center, known for promoting museums and schools of the future, as well as holding the Prix Ars Electronica, the world’s longest-running international media art competition.