Art Incubation Program
Doi Itsuki: Another Weather
Overview
The exhibition is held on the first (ground) and second floors of the building. The structure of the building means there is no elevator and visitors need to use the stairs. If you use a wheelchair or have concerns about climbing stairs, please contact us via the email address below at least two days before your visit. We will be happy to discuss the support we can provide. contact@ccbt-art-incubation.jp _ video / music production: Doi Itsuki Flag image,design: Kase Toru
Doi Itsuki is one of CCBT’s 2025 artist fellows and currently developing a project called Weather, focusing on the microclimates that constantly surround us but of which we are rarely aware. The project has to date involved the design and development of an original weather-sensing device to observe minute environmental changes not captured in wide-area data from the Japan Meteorological Agency and other sources, as well as holding workshops to observe and share individual, small weather events. While the weather is publicly shared in the form of forecasts and data in accordance with certain standards, it is also something experienced individually as per each person’s physical conditions and mood on that day. It is heteronomous phenomena closely intertwined with our daily lives, yet beyond our control. Based on the real-time micrometeorological data collected during the earlier phases of the project, this exhibition creates a space for exploring how weather might have been called and measured in ways other than is conventional, for thinking about what weather could have been. Come into contact with weather that manifests in forms neither numerical nor verbal, and the traces of meteorological measurements and imagination, and experience a freer and richer “another weather” rooted in our perception and cognition. Related talks are scheduled to be held during the exhibition from 2 p.m. on Sunday, February 22 and Sunday, March 1, 2026. Details will be announced soon.
Outline
Doi Itsuki: Another Weather Dates: February 20 – March 1, 2026 1:00 pm – 7:00 pm (last entry: 6:30 pm) Closed: February 24, 2026 Venue: 3-35-12, Sendagi, Bunkyo-ku, Tokyo Admission: Free ※The exhibition is held on the first (ground) and second floors of the building. The structure of the building means there is no elevator and visitors need to use the stairs. If you use a wheelchair or have concerns about climbing stairs, please contact us via the email address below at least two days before your visit. We will be happy to discuss the support we can provide. contact@ccbt-art-incubation.jp Related Talk: From the rooftop Dates: February 22, March 1, 2026 2:00 pm – Venue: 3-35-12, Sendagi, Bunkyo-ku, Tokyo Speakers: <February 22>Shimonishi Kazeto (philosopher), Watanabe Shiori(artist), Wakui Tomohito(visual artist, music artist, director and curator / WHITEHOUSE), Doi Itsuki <March 1,>Murai Kotone(researcher), evala, Ikegami Takashi(DSc in Physics, Professor / Department of General Systems Studies, Graduate School of Arts and Sciences, The University of Tokyo)*Pre-recorded, Doi Itsuki Admission: Free *No reservation needed
Access
3-35-12, Sendagi, Bunkyo-ku, Tokyo
Weather Project Development
1. Design and Development of a Weather Sensor
The project designed and developed an original weather-sensing device capable of observing minute environmental changes, including temperature, humidity, air pressure, wind direction, and wind speed not captured by conventional wide-area data from the Japan Meteorological Agency and other sources.
2. Workshop: Making Weather
The project recruited participants by asking people to install the device developed in the first phase on their balcony at home or near a window at work, and then observe and share the weather in each location. In the workshops, participants assembled the sensor themselves, and listened to a lecture by Doi about weather.
3. Release of Web App Refuge
The data collected by members of the project was shared through an original web app called Refuge. Small weather events as perceived by each individual were gradually connected.
4. Exhibition: Another Weather
Using the real-time micrometeorological data collected over the course of the second and third phases of the project as a starting point, the team next created a space for thinking about what “weather” might have been, how it could have been described and measured in alternative ways.


ワークショップ「天気をつくる」の様子
Credits Project Direction, Artist: Doi Itsuki Co-production: Doi Ima、Alternative Machine Technical Direction: Murakawa Ryuji(arsaffix), Namikawa Kosaku(7ild3) Technical: Ito Yuya (arsaffix), Komaki Takahiro, Ishige Kenta, Tsukuda Yuga, Ueda Sen(CCBT), Ito Takayuki(CCBT) Art Direction: Wakui Tomohito(WHITEHOUSE) Project Management:Kanamori Chihiro(infans.), Kenmoku Haruka(oar press) Graphic Design: Kase Toru Kase Image Production Support: Esak Urot Video Archive: Shintsubo Kenshu Still Archive: Dayung Hsueh Operations: TASKO
CCBT Art Incubation Program
One of CCBT’s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.
Players

土井樹
Doi Itsuki
Musician, complex systems researcher; Senior Researcher, Alternative Machine Inc.
Doi Itsuki pursues research on synchrony in social groups. His artistic practice explores means of understanding the unique experiences and feelings of others, including artificial systems, from their own standpoints. His major exhibitions include ALTERNATIVE MACHINE (2021, WHITEHOUSE, Tokyo), I Forgot How to Look at the Ocean (2022, JINNAN HOUSE, Tokyo), MONAURALS (2023, WHITEHOUSE, Tokyo), and Harsh Listening (2025, LESSAYA, Tokyo). His music releases include Peeling Blue (CD, 2017).

下西風澄
Shimonishi Kazeto
philosopher

渡辺志桜里
Watanabe Shiori
artist
1984年東京都生まれ。2015年に東京藝術大学美術学部彫刻科を卒業後、17年に同大学大学院を修了。全体性を主軸に、個々が集合した現象と、その個に携わる⾝体の境界に焦点を当てて制作を行う。⽣態系の場において個々の種に潜む資本主義やグローバリズムといった問題を、⽣殖やフェミニズムといったテーマと結びつけ、⼈間社会を含むエコロジーのあり⽅を模索する。主な展示に「宿」(2024年、資生堂ギャラリー)、「BLUE」(2024年、SACS)、「MEET YOUR ART FESTIVAL 2023」(2023年、寺田倉庫)、「とうとうたらりたらりらたらり あがりららりとう」(2022年、新宿歌舞伎町能舞台)、「ベベ」(2021年、WHITEHOUSE)など。

涌井智仁
Wakui Tomohito
Visual artist, music artist, Director and Curator / WHITEHOUSE
Born in Niigata in 1990, Wakui Tomohito is a visual and music artist as well as the director and curator of WHITEHOUSE. His major exhibitions include “nonno” (2016, 8/ART GALLERY/Tomio Koyama), “Dark Independants” (2020, online and Tokyo), “JUNK’S PORTS” (2023, ANOMALY), “Electricity-Sound” (2023, 21st Century Museum of Contemporary Art), and “A Personal View of Japanese Contemporary Art: Takahashi Ryutaro Collection” (2024, Museum of Contemporary Art Tokyo).

村井琴音
Murai Kotone
researcher
慶應義塾大学大学院政策・メディア研究科修士課程在籍。研究対象は、ロシア・ウクライナ戦争下の居住空間における改変と、生存のための空間実践。2025年10月より東京大学先端科学技術研究センターROLESにてインターンシップ。2023年せんだいデザインリーグ卒業設計日本一決定戦 全国10選選出など。研究と制作の傍らで執筆活動を続ける。

evala
evala
音楽家、サウンドアーティスト、「See by Your Ears」主宰

池上高志
Ikegami Takashi
理学博士(物理学)、東京大学広域システム科学系 教授